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The second film in the Bourne trilogy is more about Bourne's new surroundings than his past. From the moment he first steps out of the shadows, it is visually evident that the character has been living in a constant state of dread for a very long time. Even though he is finally at a place of relative peace, he is so frightened that he is constantly keeping his eyes peeled around him. It is as if he is hoping to catch a glimpse of someone he is afraid to trust. In the final analysis, The Bourne Ultimatum is a city on edge. The film opens in Paris, and for a long time Bourne runs around its back alleys and alley-like streets. It is when he gets to the streets of Zurich that the film really takes off. The city's deserted streets, garish neon signs and fairly non-descript architecture add to the film's ominous setting. The film's low-key style is unlike anything we have ever seen, making the city look that much more threatening. It's true; we are all familiar with night-time cityscapes. The subways are a familiar icon in many of our cities. So when we see a city that looks like New York City at night, we expect something along those lines. Instead, The Bourne Ultimatum is all wrong. The film's cinematography has been compared to the work of the great cinematographers like Roger Deakins (later of the Coen Brothers' films). While the visual style fits in with Deakins' work, it is far more intense than anything his work has produced. There's a great deal of dark, shadowed night scenes that leave us feeling as though we are sneaking around the streets in the dark. No one is following us, but we are always uncomfortable, always on edge, and as a result, a bit paranoid. It's not that we don't believe Bourne would be able to stop anybody who was chasing him, but it sure makes the experience that much more intense. The film's gritty quality is evident from the first shot we see. The camera is positioned so that we are right up close to Bourne, hiding with him in the shadows. The film's opening shot is a cowering Bourne being dragged by force into the back of a van.
Not only does The Bourne Ultimatum mainly benefit from the DVD release of The Bourne Identity, but it also benefits from the original theatrical version, which was -- like the three previous Bourne films -- released in a triple feature. The film starts with a commercial-free opening, the first of three that are featured on all five of the Bourne movies.
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